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It’s such a shame that our friendship had to end: Reflecting on the finale of “Stranger Things”
Read more: It’s such a shame that our friendship had to end: Reflecting on the finale of “Stranger Things”When the first season of “Stranger Things” dropped on July 15, 2016, I watched one episode and decided that the Duffer Brothers would be just…
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How Did We Get Here: My 10 Favorite Films of 2025
Read more: How Did We Get Here: My 10 Favorite Films of 2025There’s a moment in Ari Aster’s COVID-19 satire “Eddington” where Sheriff Joe Cross (Joaquin Phoenix) looks out at the cesspool his town has become and…
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The List: Our 10 Favorite Christmas Movies
Read more: The List: Our 10 Favorite Christmas Movies“Send lawyers, guns, and moneyThe shit has hit the fan” – Warren Zevon When the shit hits the fan like it has in 2025, finding…
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The Magic and the Misery, Madness and the Mystery Oh What Has It Done to Me: My 10 Favorite Albums of 2025
Read more: The Magic and the Misery, Madness and the Mystery Oh What Has It Done to Me: My 10 Favorite Albums of 2025“What came first, the music or the misery?” Nick Hornby first posed that question 30 years ago in his debut novel “High Fidelity” and I…
Writing Pillars
Catching up with bands/artists whose cultural contributions carry more weight than their public profile.
The aim is to resurrect long-form discussions that allow the subject to expound upon topics without fear of reprisal.
Click Bait need not apply.
Let’s make America read again.
Breaking down shows from Buffalo and Beyond
Anyone can give a synopsis or regurgitate a press release.
My approach to reviewing a show is to make the reader feel how I felt in the moment and put the performance into a deeper context.
Otherwise, what’s the point?
Taking a deep dive on new releases and old favorites that deserve a second look.
Future Imagined is where possibility takes form.
It invites writers and thinkers to explore alternative worlds, reinterpret the present through speculative lenses, and consider futures shaped by justice, creativity, and cultural continuity.
Grounded in Afrofuturist philosophy, this pillar embraces non-linear time, visionary design, and re-enchantment — opening pathways to futures that expand, rather than constrain, human potential.
For power, ethics, and the structures we build.
Human Systems looks at the frameworks — political, technological, social, and economic — that influence daily life and collective futures.
It examines how new technologies challenge old assumptions, how governance adapts to rapid change, and how communities resist or reshape structures that no longer serve them.
This pillar encourages a critical yet imaginative view of progress: not as inevitable, but as a system humans actively design.
For cities, movement, and the geographies of belonging.
Urban Cosmos views cities as dynamic ecosystems shaped by culture, migration, infrastructure, and aspiration.
It explores how urban spaces carry memory, how diasporic communities create belonging across distance, and how Afrofuturist ideas can inspire new forms of architecture, mobility, and communal life.
This pillar treats the city as both a physical place and an imaginative realm — where new futures are continuously rehearsed.
For short reflections, emerging ideas, and cultural pulses.
Signals captures the quick movements of the world — brief insights, news fragments, experiments, innovations, and cultural shifts.
It functions as Sankofa’s “early-warning system,” gathering the small sparks that often precede larger transformations.
This pillar is agile, observational, and continuously updating, offering a living snapshot of the ideas shaping life on Earth and beyond.
